Subtext - Chinatown
Let us now feel the love for Nena Eskridge, a wonderful writer, beautiful human being, and author of the superb script, The Last Stop, which was a recent Top Ten Favorite on TriggerStreet. It's the story of Jennifer Davis, a girl who was tortured as a child and grows up into a runaway, and she’s caught up in her own horrible cycle of violence, which she is trying so hard to escape. It's one of the few specs I've come across where the writer made a conscious choice to connect the first scene with the last in order to make a very specific statement about the protagonist. It’s great. I love her story.
In any case, below is Nena’s submission. She chose some unknown unloved uninteresting and poorly-written little movie called… Chinatown.
Hehehe…
Subtext, huh? That's a tough one. In my own writing I never set out to do it, only recognize it after I've stumbled into it.
There's always Chinatown (by the great Robert Towne), which is packed with subtext. Below is one of many examples. For me, this scene was one of the most disturbing in any movie. Cross accuses Gittes of taking advantage of his daughter, the one HE molested and impregnated. Then, he asks Gittes if he's sleeping with her, when he clearly has been. Says she's a disturbed woman - who would know better since HE is responsible for her being disturbed. And last but not least, he pretty much sums up the theme of the entire movie by saying to Gittes, "You may think you know what you're dealing with -- but believe me, you don't."
Every line in Chinatown is memorable. Could watch that movie every day for the rest of my life. That one and The Collector. Don't get me going on that one.
CROSS
It disturbs me, Mr. Gittes. It
makes me think you're taking my
daughter for a ride – financially
speaking, of course. How much are
you charging her?
GITTES
(carefully)
My usual fee -- plus a bonus
if I come up with any results.
CROSS
Are you sleeping with her? Come,
come, Mr. Gittes -- you don't have
to think about that to remember,
do you?
Gittes laughs.
GITTES
If you want an answer to that
question I can always put one
of my men on the job. Good
afternoon, Mr. Cross.
CROSS
Mr. Gittes! You're dealing with
a disturbed woman who's lost her
husband. I don't want her taken
advantage of. Sit down.
GITTES
What for?
CROSS
-- You may think you know what
you're dealing with – but
believe me, you don't.
14 comments:
Good choice! I love Chinatown. It's a great classic movie and has so much depth.
Nena, I look forward to reading your script on TS. If MM likes it, I know it's good.
good stuff...now this one:
"Hey, whats the matter with ya. You're screwin' just like a Chinaman!"
Subtext or a punchline...or both?
Great choice! Chinatown is one of those films you can watch over and over again and still not see it all. Very layered. Very deep. Very...subtextual??
Miriam, Nena's script is killer. No pun intended.
Dixon - Hmm. I'd say punchline. And I'm sure you would too, because... we're too innocent to think of any dirty subtextual connotations.
Mickey - Very!
Another excellent choice. I vividly remember being mesmerized by this film when it came out.
A real dichotomy, this one. A simple story, but complex undertones.
btw: I spoke to a screenwriter last year (a former neighbor of Towne's) and I recall hearing from him that it took Robert Towne something like 14 yrs of shopping this around before it got sold. If true, this really speaks to writers needing to be persistent and believe in themselves!
Oooh. I wonder what Angelica Houston would have to say about that? And let's not forget that Roman Polanski was accidentally involved (as a victim) in one of the greatest crimes in Hollywood: the Tate/LaBianca murders.
This adds even more layers, although I don't know if they're sub-textual.
Of course the best scene in China town is the slapping around scene. "My sister" SLAP "My daughter" SLAP "My sister and my daughter."
Nena, 'the delicate skin' is no longer on TriggerStreet and I don't have the creds to re-upload. But it's still on my site at this place. Click on the 'full version' link and use:
Username: nick
Password: nora
Thanks for the plug!
re: the best scene in Chinatown is the slapping around scene. "My sister" SLAP "My daughter" SLAP "My sister and my daughter."
LOL :)
I remember "Mad Magazine" having some fun with that scene when that issue came out in 1974 :)
Ya know, that scene originally had Evelyn giving this long-windded piece of exposition about how her mother had died when she was fifteen and how her father's grief was such that he had a breakdown and became a little boy and he was unable to feed or dress himself, etc, which led to the incest.
In a rewrite, Towne replaced all that exposition with Gittes asking, "He raped you?" and she replied, "No." Just brilliant, isn't it? I mean, her denial spoke of just how cruel and how much influence Cross still had over Evelyn and it also really tested Gittes' love for her.
I love that moment.
MM
I read that anecdote somewhere as well -- from "Story" maybe?
Anyway, it just goes to show the value of writing, re-writing, and re-rewriting until you've got the thing sharpened to a fine point.
Yes, Anon, so many wonderful things can be learned from McKee...
Nena, the third draft can be found here: http://www.weeklyscript.com/Chinatown.txt
This is how the scene reads:
Kyo comes running down the stairs.
EVELYN
(continuing;
in Chinese)
For God's sake, Kyo, keep her
upstairs, go back!
Kyo turns after staring at Gittes for a moment then
goes back upstairs.
EVELYN
(continuing)
-- my father and I, understand,
or is it too tough for you?
Gittes doesn't answer.
EVELYN
(continuing)
... he had a breakdown... the
dam broke... my mother died...
he became a little boy... I was
fifteen... he'd ask me what to
eat for breakfast, what clothes
to wear!... It happened... then
I ran away...
GITTES
to Mexico...
She nods.
EVELYN
Hollis came and took... care
of me... after she was born...
he said... he took care of her...
I couldn't see her... I wanted to
but I couldn't... I just want to
see her once in a while... take care
of her... that's all... but I don't
want her to know... I don't want
her to know...
GITTES.
... so that's why you hate him...
Evelyn looks slowly up at Gittes.
EVELYN
-- no... for turning his back on
me after it happened! He couldn't
face it...
(weeping)
I hate him.
Gittes suddenly feels the need to loosen his tie.
GITTES
-- yeah... where are you taking her
now?
EVELYN
Back to Mexico.
I have to add that a day after our own Chinatown subtext article, another great article surfaced by Jeremiah Kipp over at The House Next Door called:
Evil under the sun: John Huston in Chinatown
(found here: http://mattzollerseitz.blogspot.com/2006/08/evil-under-sun-john-huston-in.html)
In it, Jeremiah wrote: "Cross' lust for power is conjoined with his more carnal lusts for Evelyn, and the land crimes are paralleled by crimes of a more intimate nature behind closed doors; the old man's sunny, "respectable" public image and depraved private life tease the viewer's worst case visions of just how low Hollywood power players will sink to satisfy their fantasies, and how far they'll go to acquire still more wealth. Huston's choices as an actor mirror Polanki and Towne's theme: evil doesn't lurk in the shadows, it walks in daylight. Cross is so arrogant in his crimes, public and private, that he refuses to even acknowledge they are crimes. The land deal is merely his way of commandeering a road into the future, and as for Evelyn and the psychological burdens she has to bear for having Noah Cross as her father, and as more, he can only say, 'I don’t blame myself.'"
There is a surprising amount of rumour, supposition and gossip surrounding this story on the web. It even sounds like the original story was significantly altered by Roman Polanski. I haven't read Towne's original story... but now think I will!
Nothing wrong at all, Nena, to feel that way.
Post a Comment