Art of STORY!
Indiana Jones 4 Articles
Advice on Characters
Elements of Suspense
On Breaking Structure
A Look at The Dark Knight Script
The Exposition of Rear Window
A Screenwriting State of Emergency!
Where Do I Put My Characters?
Your Movie Sucks!
Wall*E & The Robot Protagonist
Fatal Flaws in Screenwriting
Breathing Room in Films
Formula Freaks
The Question of Exposition
Minghella on the Page
The Nature of Today's Storytelling Debate
The Case AGAINST Character Arcs
Screenwriting Meditations
Internet's Impact on Cinema
Locations, Locations, Locations
100 Movie Cliches
The Ending for "No Country"
Diabolical Don G
The Power of Cinema's Images
Write the Shots!
Secondary Headings
"The Fountain" Analysis
Away From Her
Close-ups, Baby!
The Lives of Others
Youth Without Youth
Style & Writing for Existing Franchises
Book Review – Ann Wesley Hardin’s “Out of This World”
Play Review – Joshua James’ Tallboy Walkin’
Character Depth & Cast Design
Visual Storytelling, Part III
Visual Storytelling, Part II
The Art of Visual Storytelling
Rog Ager's Analysis of Films
Ager's Analysis of "The Exorcist"
Ager's Analysis of Scorsese's "Cape Fear"
Ager's Analysis of "Alien"
Satire & the Protag Serial Killer
Cinema Europe - The Complete Series
Character Arcs
Ager's Analysis of "Psycho"
Cinematic Storytelling
Rob Ager's "2001" Analysis
Disney's "Frog Princess"
A Long Time Ago... (for the Star Wars Blog-a-thon)
The "Psycho" Shower Scene!
"A Clockwork Orange" Analysis
Creative Inspiration
Kubrick Analysis & Tribute
Inner Conflict
"2001" Analysis
Robert Bresson's "Pickpocket"
The Godfather (for the blog-a-thon)
The Great Ones That Failed (for the blog-a-thon)
The Shining Analysis
15,000 Useful Phrases
Character Goals
Backstory
Character Development Sheet
John Milius Interview
Chinatown Analysis
The Reverse Arc
The Politics of Page Numbers
Gone with the Wind
Melodrama
The Queen
Altman
The Great Voice Over Debate
On Character Arcs
Characters as Individuals
Mahler's Script-Beat Calculator
Weak Characters in Comedies
